{"id":827,"date":"2026-03-05T12:37:35","date_gmt":"2026-03-05T11:37:35","guid":{"rendered":"https:\/\/www.formsnature.com\/?page_id=827"},"modified":"2026-07-29T15:45:28","modified_gmt":"2026-07-29T13:45:28","slug":"sobre","status":"publish","type":"page","link":"https:\/\/www.formsnature.com\/es\/sobre\/","title":{"rendered":"Sobre"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-about.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-827","page","type-page","status-publish","hentry"],"acf":{"video_hero":"","sobretitulo":"About","h1":"An artist's atelier. A signature collection of light sculptures.","texto_hero":"Forms In Nature grew from an artistic investigation into organic form, light, and material transformation that P\u00edo D\u00edaz began in 2008. In 2011, D\u00edaz launched Forms In Nature in Copenhagen. The first work quickly found an international audience, marking the beginning of a collection of handcrafted light sculptures and chandeliers sold worldwide.","titulo_columna_1":"The atelier","texto_columna_1":"Forms In Nature is an artist-led atelier dedicated to light sculptures, chandeliers, and sculptural lighting. The atelier works at a controlled scale, developing each piece through long-term research, material testing, and close production control.\r\n\r\nEvery work is built as a complete system: cast metal, mouth-blown glass, bulbs, cables, fittings, suspension, surface, light, and shadow are developed around the original artistic vision.\r\n\r\nThe collection is the result of more than fifteen years of artistic and technical development. Forms In Nature operates between art and craft, creating works that are technically precise, emotionally present, and made to inhabit lived spaces.","titulo_columna_2":"The philosophy","texto_columna_2":"Forms In Nature brings light sculptures into lived spaces. Nature is understood as transformation: a force that grows, breaks, adapts, and reclaims.\r\n\r\nThe work follows the spirit of early Darwinist observation \u2014 a fascination with the overwhelming abundance of living forms, species, structures, and systems. The natural world is vast, close, and almost impossible to fully comprehend.\r\n\r\nForms In Nature brings that living complexity into the interior through sculpture, casting, glass, light, and shadow. Each work creates atmosphere and enhances the emotional quality of the space.","imagen_pio":"","sobretitulo_pio":"The artist","titulo_pio":"P\u00edo D\u00edaz","texto_pio":"","datos":[{"dato":"2008","descripcion":"Organic form research begins"},{"dato":"2011","descripcion":"Forms In Nature launched in Copenhagen"},{"dato":"15+","descripcion":"Years of artistic and technical development"},{"dato":"14","descripcion":"Works in the collection"},{"dato":"EU \u00b7 US","descripcion":"Ships worldwide, wired for both markets"}],"sobretitulo_proceso":"The process","titulo_proceso":"From vision to light sculpture","texto_proceso":"Each Forms In Nature piece is developed from a vision. Materials, light, and technical systems are built around that vision. The visual force of the work is never compromised.","imagen_bloque_1":1537,"sobretitulo_bloque_1":" 01 \u2014 From vision to light sculpture","titulo_bloque_1":"Each light sculpture slowly reveals itself","texto_bloque_1":"The vision is refined, discarded, corrected, and revealed until its form becomes clear. Materials, light, wiring, and technical systems are developed around that vision.\r\n\r\nThe visual force of the work is never compromised. The result is a light sculpture where reality has been shaped around the image.","imagen_bloque_2":1538,"sobretitulo_bloque_2":"02 \u2014 Casting in Ri\u00f3par","titulo_bloque_2":"Where casting, fire, and landscape still feel inseparable","texto_bloque_2":"The metal work is produced in Ri\u00f3par, a remote mountain village in southern Spain where casting, fire, and landscape still feel inseparable. Ri\u00f3par has carried a metalworking tradition since the 18th century, when the Royal Factories of San Juan de Alcaraz became one of Spain's historic centers for brass and bronze production.\r\n\r\nThe village stands inside a forceful natural environment: caves, mountains, burned forests, heavy storms, winter snow, dry summers, and an intense return of life after destruction. This is not a decorative idea of nature. It is nature as pressure, danger, resistance, and renewal.\r\n\r\nIn that context, each organic form is transformed through casting. The original is lost. The gesture survives in bronze or brass.","pie_bloque_2":"Location: Ri\u00f3par, Sierra de Alcaraz, Spain\r\n\r\nMaterials: Bronze \u00b7 Brass \u00b7 Tradition since 18th century","imagen_mosaico_1":1539,"imagen_mosaico_2":1540,"imagen_mosaico_3":1541,"imagen_bloque_3":1542,"sobretitulo_bloque_3":"03 \u2014 Mouth-blown glass","titulo_bloque_3":"Each glass element is carefully designed as both a screen and a lens for light","texto_bloque_3":"Its thickness, weight, surface, curves, and small variations determine how the light is softened, distributed, and carried through the material. The studio works with a small number of controlled glass forms, each one mouth-blown and individually shaped by hand in a remote glass workshop near Istanbul.\r\n\r\nP\u00edo D\u00edaz personally follows the glass production process, from heat control and resting time to blowing, molding, cutting, polishing, blasting, waxing, correction, and final light reflection tests.\r\n\r\nThe glasses are made from the same base form, but each one is slightly pushed, shaped, and corrected so no two pieces are exactly the same.","pie_bloque_3":"Workshop: near Istanbul, Turkey\r\n\r\nNo two pieces identical \u00b7 Followed personally by P\u00edo D\u00edaz","quote":"I invest my interest and dedication digging out past forgotten memory hidden in the layers of our mental adaptations.","quote_author":"P\u00edo D\u00edaz \u2014 Artist and founder","quote_text":"Forms In Nature was founded in 2011 in Copenhagen. Every production decision \u2014 material, technique, finish \u2014 is made by P\u00edo directly. The studio works with a small group of artisans trained over years of close collaboration.\r\n\r\nThis is not industrial production. Each piece is a consequence of the artist's hand, eye, and accumulated knowledge.","imagen_bloque_4":1543,"sobretitulo_bloque_4":"04 \u2014 Invisible precision","titulo_bloque_4":"Every part belongs to the sculpture","texto_bloque_4":"Every part of a Forms In Nature lamp is developed around the work itself. The cables, bulbs, fittings, closures, suspension systems, surface treatments, wiring, and small mechanical details are designed or specified by P\u00edo D\u00edaz so they belong to the sculpture rather than appear as standard components added afterwards.\r\n\r\nEvery step is treated with technical precision.\r\n\r\nThe suspension system is developed as part of the work: it has to hold, align, and support the piece while remaining visually calm and integrated. These elements are developed through research, correction, and continuous improvement. Their purpose is to support the work without disturbing the original vision of the light sculpture.\r\n\r\nNo technical solution should compete with the sculpture. Nothing should feel too visible, too heavy, or too ordinary. Each solution is carefully crafted and refined until it disappears into the visual logic of the piece.","pie_bloque_4":"The result is a work that is highly technical, precise, and almost invisible","imagen_bloque_5":1544,"sobretitulo_bloque_5":"05 \u2014 Light quality","titulo_bloque_5":"Warm, present, calm, and distributed","texto_bloque_5":"P\u00edo D\u00edaz embraces rooms where the light is on. A very dark room asks the body to work harder: to move, to read, to see materials, to understand the space. An overlit room creates the opposite problem: the light becomes too demanding, too active, too present.\r\n\r\nP\u00edo's light theory is built around the space between those two conditions. The intention is to create a balanced form of illumination \u2014 warm, present, calm, and distributed. A light that gives energy to the room without forcing the body to rise to the level of the light.\r\n\r\nForest works differently from the other pieces. It uses a specific selected light source that creates sharp, defined shadows, extending the sculpture onto the surrounding walls and ceiling. For the other works, P\u00edo D\u00edaz develops the bulbs himself, designing them around the specific needs of each light sculpture.\r\n\r\nThe focus is on warm light, accurate color rendering, deep dimming, and stable light without visible flicker. The glass protects the eye from direct brightness and distributes the light softly through the room.\r\n\r\nEach piece is designed to create small centers of warmth \u2014 points of light that guide the room in a balanced way. Light is treated not only as illumination, but as a way of shaping the emotional quality of a space.","imagen_bloque_6":1545,"sobretitulo_bloque_6":"06 \u2014 Fine balance","titulo_bloque_6":"Each piece is tested before it leaves the studio","texto_bloque_6":"The final calibration is personally made by P\u00edo D\u00edaz, adjusting light, glass, metal, surface, fittings, cables, suspension, shadow, warmth, and presence until the work reaches its balance.\r\n\r\nThis balance is both technical and emotional. The piece has to function with precision, but it also has to feel natural in the room. Every part must support the original vision of the light sculpture.","stockists_title":"Stockists","stockists":[{"nombre":"Studio Oliver Gustav","ubicacion":"Copenhagen, Denmark","web":"olivergustav.com"},{"nombre":"Avisharl Gallery","ubicacion":"Copenhagen, Denmark","web":"avisharl.com"}],"titulo_practice":"The same gesture, different scale","texto_practice":"In Weeds, P\u00edo collected plants from the margins of Copenhagen and preserved them in glass cases \u2014 unwanted forms given permanence. In the collection, he does the same with branches and vines: finds what nature left, and fixes it in metal. The object and the artwork come from the same place."},"_links":{"self":[{"href":"https:\/\/www.formsnature.com\/wp-json\/wp\/v2\/pages\/827","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.formsnature.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.formsnature.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.formsnature.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.formsnature.com\/wp-json\/wp\/v2\/comments?post=827"}],"version-history":[{"count":4,"href":"https:\/\/www.formsnature.com\/wp-json\/wp\/v2\/pages\/827\/revisions"}],"predecessor-version":[{"id":1518,"href":"https:\/\/www.formsnature.com\/wp-json\/wp\/v2\/pages\/827\/revisions\/1518"}],"wp:attachment":[{"href":"https:\/\/www.formsnature.com\/wp-json\/wp\/v2\/media?parent=827"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}